Raised in Kentucky; Lives in New York City.


Solo Exhibitions


The Construction of Flowers. Downstairs Projects. Brooklyn, NY. 

The Blue Rose, Phoebe Gallery. Baltimore, MD.


Flower Mutations, The Aldrich Contemporary Art Museum.

Ridgefileld, CT.


The Waste Land and Other Poems, Young World, Detroit, MI.

BOG–MIA, Locust Projects. Miami, FL.


TOTAL MELTDOWN, Kansas Gallery. New York, NY.


Beauty in the Forest, The Chrysler Series, New York, NY.

Pumping Liquidity into the System, La Mama La Galleria, New York, NY.

Angiosperms, Works Sited, Los Angeles, CA.


Illiquid, Harris Lieberman Gallery, New York, NY.


Concretebreaking, ThreeWalls Gallery. Chicago, IL.


Group Exhibitions


Covers, Adaptations and the Scarcity of Blue, The Art Gym at Marylhurst University. 

Portland, OR. (Two- Person Exhibition)

Madames Electrics, The Pit. Glendale, CA.


It can’t all be in one language, LACE. Los Angeles, CA.

PRESS, Kentucky Museum of Art and Craft. Louisville, KY.


subject, answer, countersubject, Disjecta Center for Contemporary Art. Portland, OR.

In Praise of Chance and Failure, Family Business. New York, NY.

Paintings and Flowers, Cleopatra’s. Brooklyn, NY.


I know that I am awake, Rachel Uffner Gallery, New York, NY. (Two-Person Exhibition)

Maybe it’s that light that has to change and not much else, Tanya Bonakdar Gallery. 

New York, NY.


You Can Never Go Home Anymore, Louis B. James, New York, NY.

Norfolk, Thierry Goldberg Projects, New York, NY.

Everything Must Go!, Casey Kaplan Gallery, New York, NY.

Off Camera, Fleisher/Ollman Gallery, Philadelphia, PA.


Knight’s Move, Sculpture Center, Long Island City, NY.

Seedlings, Dallas Contemporary, Dallas, Texas.

Hurricane Doris, Night Gallery, Los Angeles, CA.

Throbbing Hermaphroditic Mass, Second-Floor, Brooklyn, NY.


Time – Life, Taxter & Spengemann. New York, NY.

Actions for Urban Spaces, Art in General, New York, NY.

New Perspectives in Contemporary Art, Affirmation Arts, New York,NY.

Columbia University Visual Arts Program Thesis Exhibition,

Fischer Landau Center for Art, Long Island City, NY.


1st Year MFA exhibition, Columbia University. New York, NY


1,2,3,4,5,6,7,8, Nine, Ten, Pilar Parra & Romero Galería de Arte.

Madrid, Spain.

Emerging Artists, Smack Mellon. Brooklyn, NY.


Interstate: The American Road Trip, Socrates Sculpture Park, NY.

AIM 26, The Bronx Museum. Bronx, NY.

Site 92, Smack Mellon. Brooklyn, NY.


Certain People I Know, Thatcher Projects. New York, NY.

Fearless Vampire Killers, Casey Kaplan Gallery. New York, NY.


High Desert Test Sites III. Joshua Tree, CA.


Holding Patterns, HERE Art Gallery. New York, NY. (two-person)




Sutton, Benjamin. “The Pleasures and Pitfalls of Starting and Sustaining an Artist-Run Gallery”, Aug. 18th.


Gittlen, Ariela. “These 7 Artists Are Testing the Limits of Glass-Making”, Aug. 15th.


Bernardini, Andrew. “Floral Patterns: And essay about flowers and art (witha a blooming 

addendum.)”, Mousse Contemporary Art Magazine. Issue# 55. pp. 230-245.

Motley, John. “Donald Morgan and Virginia Poundstone”, The Art Gym #74. (exhibition catalog)


Honara, Susan. “Art and Its Inspiration, Side by Side at the Aldrich Museum”, July 11.

Smith-Stewart, Amy. “Interview: Floral Mutations”, The Aldrich Museum. (exhibition catalog)


Randall, Laura. “Virginia Poundstone, BOG–MIA”, The Miami Rail, Spring 2014.

Suarez De Jesus, Carlos. “BOG-MIA at Locust: Flower Trade Unmasked”, Miami New Times,January 30.


Rosenberg, Karen. “Art in Review: Virginia Poundstone, Total Meltdown”, The New York Times, September 20.

Russeth, Andrew. “2013 in 2033”,, February 23.

Chamberlain, Colby. “In Review: Letha WIlson”, Artforum. March, 2013.

Thomson, Allese. “Critic’s Picks: Talia Chetrit”,, September 23.


Weiner, Emily. “Critic’s Picks”,, February 7.


Sanchez, Michael. Knight’s Move. Sculpture Center, L.I.C., NY. (exhibition catalog)

Terranova, Charissa. “Seedlings” at Dallas Contemporary. Art Ltd., September.


Russeth, Andrew. “Virginia Poundstone in New York.”, December 23.

Rosenberg, Karen. “Yes, Amid the Boutiques, SoHo Is Still Avant- Garde.” The New York Times, December 4.


Princenthal, Nancy. “The great outdoors.” Art in America, June – July.

Neil, Jonathan T. D. “Interstate: The American Road Trip,” ArtReview, August.


Cotter, Holland. “Art in Review: Fearless VampireKillers,” The New York Times, April 8.

“Virginia Poundstone: Concrete Breaking.” FlavorpillChicago, Issue 43, July 12 – 18 .

Artner, Alan G. “Virginia Poundstone at Three Walls.” Chicago Tribune, July 15.



Columbia University, School of the Arts, Program in Visual Arts. New York, NY.

MFA Visual Arts. 2009


The New School for Social Research, 

Eugene Lang College and Parsons School of Design. New York, NY. 

BA/BFA Non-fiction Writing/Fine Arts. 2001



Pollock-Krasner Foundation Grant.

Cannonball Residency. Visiting Artist. Miami, FL.

Urban Glass Agnes Varis Fellowship.

The Howard Foundation Fellowship.

Pioneer Works. Artist-in-Residence. Brooklyn, NY.

Kentucky Museum of Art and Craft. Artist-in-Residence. Louisville,KY.

Banff Center for Art. Artist Residency and Fellowship. Banff, AB.

AIM, The Bronx Museum Artists in the Marketplace. Bronx, NY.

Mac Dowell Colony. Artist Residency. Peterborough, NH.

ThreeWalls. Artist-in-Residency. Chicago, IL.